Far from the Madding Crowd, Thomas Hardy, 1874

I was nervous the night before I started rereading Far from the Madding Crowd. I felt like a vessel unfit to receive Thomas Hardy’s glorious words. I knew I’d soon be sitting at my computer trying to explain why I love this book so much and I felt unworthy of the task. I’ll try anyway. This is my very favorite book; I must attempt to do it justice.

Hardy’s fourth novel has all the wit, wisdom and cynicism of his later great works, but with more drama and less heartrending tragedy. It’s as if you ordered your insightful literary martini with a dry sense of humor, spiked with a soap opera plot, hold the bitter tears, and add a side order of sweet romance.

The plot concerns a proud, independent young maiden who inherits her uncle’s farm and proceeds to wreak havoc in the neighborhood with her beautiful face. Dear Bathsheba Everdene—yes, her last name was lifted for Katniss Everdeen—doesn’t instigate the havoc. Men just see her face and proceed to destroy their own lives. Hardy loves not a love triangle, but a love square. Three men fall for her: humble shepherd Gabriel Oak, staid middle-aged Farmer Boldwood, and dashing young soldier Frank Troy.

I rate these four characters among the best in the canon. Let me tell you why. But first, just go read it and then come back and see if you agree with me. Discover all this wonder on your own.

Bathsheba Everdene

I love a proud, independent woman. When she discovers her father’s bailiff stealing from her she dismisses him and instead of hiring another man to run the farm, she decides to do it herself. Shocking! She goes to market. She buys grain and sells sheep. She gets up on the ricks with Gabriel in the middle of the night with lightning flashing all around to protect her harvest from the coming rain.

Bathsheba may be vain, but she is not a flirt. I absolutely love this description of her “From the contours of her figure in its upper part she must have had a beautiful neck and shoulders; but since her infancy nobody had ever seen them. Had she been put into a low dress she would have run and thrust her head into a bush. Yet she was not a shy girl by any means; it was merely her instinct to draw the line dividing the seen from the unseen higher than they do it in the towns.” Early in the progress of the tale Gabriel sees her lay back on her horse with her feet on its neck to avoid a low hanging branch. His infatuation for her began there and so did mine. I dare you to read Hardy’s description of this moment and not fall in love with Bathsheba.

Frank Troy

               This handsome soldier is careless with women. Not a novel character, but one so well described by Hardy that he stands out. He has a changeable nature usually reserved for female characters. He fluctuates from rakish to repentant to rascally and back so easily that he’s quite fascinating.

Farmer Boldwood

               This fucking guy. His progress from steady, predictable bachelor to psychopath is gripping and horrifying. The next farm over is a new place to find a villain. This gentleman farmer slowly turns mad. You pity him and then you loathe him, which is the reverse of how we like to handle psychos these days. What’s most chilling about Boldwood is that you recognize him. He’s every man who feels so entitled to a woman that he’ll wheedle and bully her into being with him out of a sense of obligation. It’s repulsive and compelling to read.

Gabriel Oak

               My favorite. The best. I love him. He does none of the nonsense to Bathsheba that Boldwood does, even though he loves her just as well. His kind, gentle devotion to her is my relationship goal. If you’re drawn to The Office, you might be drawn to Gabriel Oak as a romantic figure. After all, long term love is about making each day easier and better for your partner, not about doing creepy dramatic shit like asking the gravedigger who just opened her grave to put her husband in it to walk away for a bit so you can lay down with her corpse. This is a friendly reminder that Heathcliff is a kidnapper and rapist, not a romantic hero. Gabriel Oak is a romantic hero. Because he takes care of his lady’s sheep. That’s useful and kind. I know, I’m old and practical about love, but whatever. Life happens day by day and so does love. I’d happily spend my days with Gabriel. He can tend my flocks anytime.

The book is not perfect. The middle is not as strong as the beginning and end. Hardy strays a bit long amid his pleasant rural scenery and his pleasant rustics, but he has almost entirely shed the obnoxious condescension of Under the Greenwood Tree. I don’t mind spending some time on Bathsheba’s farm. Any writer who can make shepherding incidents as dramatic and moving as Hardy can deserves acclaim for his depiction of rural life.

There are so many wonderful quotes in this book. You should read the entire novel, but I will provide this longish quote for your enjoyment.

“At last the eighth day came. The cow had ceased to give milk for that year, and Bathsheba Everdene came up the hill no more. Gabriel had reached a pitch of existence he never could have anticipated a short time before. He liked saying “Bathsheba” as a private enjoyment instead of whistling; turned over his taste to black hair, though he had sworn by brown ever since he was a boy, isolated himself till the space he filled in the public eye was contemptibly small. Love is a possible strength in an actual weakness. Marriage transforms a distraction to a support, the power of which should be, and happily often is, in direct proportion to the imbecility it supplants.”

Hardy would later express a far less positive view of marriage.

You might like Far from the Madding Crowd if:

• you like a rural story
• you appreciate wit
• you appreciate writing aesthetically, but are not opposed to a compelling plot

You might not like Far from the Madding Crowd if:

• you need your romances a bit more torrid

Final Thoughts: It’s the best book. Go read it! It is fun and beautiful. My favorite.