Vampyre, John William Polidori, 1819
Notable for being:
- the first vampire story in English.
As personal physician to Lord Byron, John William Polidori ran in a literary circle. He attended Byron during the wet, gloomy summer when Percy Bysshe Shelley dared his companions to write ghost stories. Mary Shelley produced the beginning of Frankenstein and Byron wrote a fragment that became the basis of Polidori’s short story Vampyre. No one reads Vampyre anymore, but it was quite popular in its day. Polidori drew elements from Gothic literature, which was all the rage in the early 1800s.
Like a good horror writer, Polidori takes a monster from folklore and recasts it to typify destructive forces in contemporary society. Unfortunately for this horror story, Regency society was pretty tame. The scariest part of the story is Polidori’s introduction to the myth of the vampire. This description beats any horrors contained the actual tale: “these human blood-suckers fattened—and their veins became distended to such a state of repletion, as to cause the blood to flow from all the passages of their bodies, and even the very pores of the skin.” Sick.
The villain of Vampyre is the mysterious Lord Ruthven, a sullen, dark-tempered aristocrat who gains popularity in London society as something of an oddity. All the most fashionable Regency dinner parties had a vampire on the guest list. Our hero, Lord Aubrey, is a bad judge of character, so he decides to travel through Europe with Lord Ruthven. He soon becomes suspicious of Ruthven who delights in corrupting others. Aubrey courageously foils Ruthven’s attempt to ruin the reputation of a young noblewoman. At which point I was thinking “You need to go home and get your sister! Dude, you just got between a vampire and his prey. Didn’t you say earlier that you have a plump, delicious, naïve little sister at home? Go back to London, dummy.” Does he go back to London? No. He stops by Greece so he can form an attachment with a different young girl, who Lord R can then antagonize.
The idolizing of naïve, childlike females in early English literature continues to nauseate me. Aubrey falls in love with a child. Polidori never states her exact age, but he describes her as a girl, not a woman. A light, young sylph who flits about the Grecian hills chasing butterflies. She could out-Lolita Lolita. Aubrey becomes obsessed with her, but “Ianthe was unconscious of his love, and was ever the same frank infantile being he had first known.” Infantile. He is in love with someone who resembles an infant. How infantile is she, exactly? Like, is she potty trained?
Aubrey reminds me of Victor Frankenstein. When faced with danger, both men tend to swoon or stand speechless and motionless. They would make terrible firemen. Lord Ruthven does go after Aubrey’s sister. He even becomes engaged to her. Aubrey, of course, falls into a fit. He pretty much goes catatonic. All he needs to do to save his sister is say some words. For example, “Don’t marry him. He is evil. I forbid it.” She would have obeyed him. Aubrey fails to prevent the marriage and dies of. . .melancholy?
You might like Vampyre if you are writing a thesis on :
- gender roles in early 19th century literature.
- the origin of the horror genre in English.
- literary heroes who suck at heroism.
You might not like Vampyre if:
- you aren’t writing a thesis and you just want to read something good.
Final thoughts: This is a silly story. Not humorous. Trifling.